By Jack Engelhard
The New York Times reminds us that Philip Roth is into his 50th year as a writer. His first book was “Goodbye, Columbus.”
Roth is an Establishment figure, a media darling. Our culture honors Jewish writers – and Jewish artists in general – who are not happy being Jewish. This theme runs through most of Roth’s works. This is a man running from his faith; uncomfortable in his skin. For that, he is celebrated.
The Jews in Roth’s novels are usually whining and groaning – objects of ridicule from clothing to behavior. There is no love of Jewish roots, no love of Torah. If Torah is mentioned, it’s done so in derision. Always there are complaints about being Jewish. I’ve said this before and I’ll say it again – That’s not writing. That’s kvetching.Details